The projects, travels and inspirations of an artist-maker-printmaker.
These are some screengrabs I took from a great short feature Wallpaper put together for the opening of Sou Fujimoto’s Serpentine Gallery Pavilion. Some of the forms and his approach to the garden “folly” certainly resonate with my own recent approaches to the garden and the grid.
Sketch is absolutely worth a visit when in London. Martin Creed’s installation in the Gallery Restaurant is unbelievable. We didn’t want a whole sit-down affair, so popped into The Parlour for high tea one afternoon.
Brixton Market is amazing. I walked over there every day for lunch during my volunteering stint at London Printworks Trust. They have every kind of food and it’s in a beautiful covered arcade so unpredictable London weather be damned!
Forest was right near the Black Hill CSM campus - the location for my Set Design class earlier in the month. I went in to their lovely store during the week, it is full of beautiful Scandinavian things.
Earlier in the month I found out my travel grant application to the Ian Potter Cultural Trust was accepted! Yippee! I’m going to be spending a month in London over the summer taking two short courses at Central Saint Martins in set design and textile design (CAN. NOT. WAIT) and working with the team at the London Printworks Trust. I’m so very excited, and so to egg myself on further, I’ve been looking up dreamy pictures of the London streets I’ll soon be strolling…
Martino Gamper, Total Trattoria. In 2008, instead of having some dry presentation of his latest designs, Gamper opened a trattoria in the Aram Gallery in London. He designed EVERYTHING. All the chairs, tables, candle-holders, light fixtures, coasters, glasses - even the kitchen! The 30 guests were then invited to dine in this wonderful space; sharing a meal and toasting to Martino’s talent.
With the intention of looking at some shots from the recent New York Fashion Week, I actually found myself drawn to designs coming from London fashion week instead. With a couple of exceptions, NY was very dark; blacks and grays an it started to get a little monotonous.
Christopher Kane’s designs, particularly the geometric graphics were a stand-out for me from London.